Thursday, December 18, 2014

Documentary: British Asian Sound Systems

Call it Bhangra managements: in a period stretching from the 90s to the early 00s, a musical and social phenomenon took place within the UK’s Asian community. A sound was developed that incorporated the pleasures, pains and politics of second and third generation Asian Brits. From the remixes of classic Bhangra tracks to the creation of drum & bass this period of time encapsulated a movement where cultural identities where announced all through the audible soundscapes of incredible music and the vital heart of youth nightlife. 

From Dazed magazine, via Shocklee Entertainment Universe. Here.

Tuesday, December 16, 2014

Vice: Mexican Mods Helped to Reshape the Cartel-Ravaged City of Tijuana

Very interesting article from Vice (Dec. 15, 2014) about the mods of Tijuana.



"The mod scene in TJ is small, but being a Mexican mod isn't all that different from being a regular Mexican," says Tijuana a Go-Go DJ Astronauta Jackson. "We all like to get fine and dandy, shake our hips to the oldies but goodies and get wasted by the end of the night. It's all about the music mainly. If you want to pop on a Fred Perry and some shiny shoes, cool. It's all the same people getting together and listening to the music."

Tuesday, September 09, 2014

Sunday, September 07, 2014

Afrika Bambaataa's archive

Bambaataa's record collection, amazingly, is now held at the Cornell University Library, in its Hip Hop Collection. Learn about it here, as archivist John Kugelberg shows it to us, and Bam himself discusses it and how his method of collecting and his incredibly eclectic use of it onstage.


Tuesday, September 02, 2014

Crocheting gangstas

Reading: 
Angela McRobbie, "Settling accounts with subculture: A feminist critique."  
Screen Education 34, 37-49 (1980).

Semiotics explained with hipster beards

This is soooo great, and it is a wonderful complement to the first chapter ("From culture to hegemony") of Dick Hebdige's Subculture: The Meaning of Style.

 

The post is actually called "Post-Structuralism Explained With Hipster Beards Part 1," but in fact it explains structural linguistics, or semiotics, and Part 2 gets into post-structuralism.

Please read, you will enjoy, and you will learn.

Saturday, August 23, 2014

Queer Hip Hop Clips From 8 Countries

Via Norient, some queer video clips from around the world: Angola, Argentina, Cuba, Germany, Israel, Serbia, South Africa and the USA.

Go: here

Abu Ghraib 'Nam

Dennis Draughon, 2004

accessed here

Sunday, April 27, 2014

Questlove (of The Roots) on the Failure of Hip-Hop

Kufiya'd ?uestlove in promo material for "Late Night with Jimmy Fallon"

Writing in Vulture on 22 April, 2014, Questlove observes:

Hip-hop has taken over black music...

Once hip-hop culture is ubiquitous, it is also invisible. Once it’s everywhere, it is nowhere. What once offered resistance to mainstream culture (it was part of the larger tapestry, spooky-action style, but it pulled at the fabric) is now an integral part of the sullen dominant...

The music originally evolved to paint portraits of real people and handle real problems at close range — social contract, anyone? — but these days, hip-hop mainly rearranges symbolic freight on the black starliner. Containers on the container ship are taken from here to there — and never mind the fact that they may be empty containers. Keep on pushin’ and all that, but what are you pushing against? As it has become the field rather than the object, hip-hop has lost some of its pertinent sting. And then there’s the question of where hip-hop has arrived commercially, or how fast it’s departing. The music industry in general is sliding, and hip-hop is sliding maybe faster than that...

When hip-hop doesn’t occupy an interesting place on the pop-culture terrain, when it is much of the terrain and loses interest even in itself, then what?