A lesson on reverse racism from Aamer Rahman

"Babylon": the Black British sound system/reggae scene

The Vimeo post describes Babylon thus: "A film of sheer sound and fury, the uncompromising subject matter (it all but anticipates the race riots that engulfed inner cities soon after release) and classic reggae soundtrack helped cement Babylon's reputation as one of the most powerful and historically significant documents about the black British experience ever made."

BABYLON from psychomafia on Vimeo.

I found the film via Dangerous Minds, which has this (among other things) to say about the film:

"The soundclash scene with Jah Shaka near the film’s end is just a flat-out great piece of film-making...I lived in Brixton in 1983-84 myself...and walked past a couple of outdoor Jah Shaka parties that I probably would not have been all that welcome at (his PA system was so loud it felt like the music was thicker than the air, like some kind of dub humidity)... Babylon perfectly evokes the growing racial tensions—and intense feelings of doom—of inner city London life during the late 70s/early 80s that ultimately culminated in the fiery Brixton riots."

ironic hipster racism

courtesy Jezebel. an excerpt:

"So I'm not allowed to have a genuine interest in another culture?!!?!??!" 
First of all, privileged dickweeds wearing Urban Outfitters "Navajo" panties, I didn't realize that you excavated those in your anthropological field work. My bad. Carry on. And second of all, again, you "can" do whatever the fuck you want. You "can" wear whatever you want, say whatever you want, and think whatever you want about whatever you want. All the time! Yaaay! But if a group of people comes to you and says, "This thing that you are doing is hurting us," and you keep doing it for fun, then you are a dickweed! Like, you know we had an actual genocide here, right? A deliberate extermination of human beings? Right where your house is? So maybe just err on the side of sensitivity.

Nazi Rockers ... Fuck Off

From DC Larson, in Counterpunch.

Rock'n'roll was born from a multiplicity of racial and cultural idioms including r&b, hillbilly country, blues, bluegrass and gospel. Proudly embracing that taboo diversity, it thrust its middle finger into the aghast mug of stilted, button-down propriety. (I speak here of the raw, original item, and not subsequent, commercially-cultivated replicas.)

It acted as a socially-unifying component of the growing Civil Rights movement, and brought people together on the dance floor just as others would unite at polling places.

Not to paint too rosy a picture. It wasn't the entire solution but it did help spark the crucial process. And its service in helping to usher away racial segregation should not be forgotten.