Kufiya'd ?uestlove in promo material for "Late Night with Jimmy Fallon"
Writing in Vulture on 22 April, 2014, Questlove observes:
Hip-hop has taken over black music...
Once hip-hop culture is ubiquitous, it is also invisible. Once it’s everywhere, it is nowhere. What once offered resistance to mainstream culture (it was part of the larger tapestry, spooky-action style, but it pulled at the fabric) is now an integral part of the sullen dominant...
The music originally evolved to paint portraits of real people and handle real problems at close range — social contract, anyone? — but these days, hip-hop mainly rearranges symbolic freight on the black starliner. Containers on the container ship are taken from here to there — and never mind the fact that they may be empty containers. Keep on pushin’ and all that, but what are you pushing against? As it has become the field rather than the object, hip-hop has lost some of its pertinent sting. And then there’s the question of where hip-hop has arrived commercially, or how fast it’s departing. The music industry in general is sliding, and hip-hop is sliding maybe faster than that...
When hip-hop doesn’t occupy an interesting place on the pop-culture terrain, when it is much of the terrain and loses interest even in itself, then what?
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